![]() ![]() Photograph: Joan MarcusĪ Midsummer Night’s Dream – a stage production that she then filmed – was her first project since the horrors of Spider-Man. So it’s good to show that it can be done.”ĭavid Harewood (Oberon) and Tina Benko (Titania) in Taymor’s version of A Midsummer Night’s Dream. I didn’t think about being a director when I’m young and would never have thought to be a conductor, even though I loved music. “We – myself, Marianne, any other women who are honoured – become role models for young women. ![]() Are such achievements symbolically significant? Last week the British director Marianne Elliott collected her own second. When The Lion King opened on Broadway 18 years ago – her London version has now been running for 16 years – Taymor became the first woman to win a directing Tony. “The Unmentionable,” she says, “has lived with me much longer than the over-budgets and failures of many men who are allowed to fail.” While The Lion King has become of the most celebrated pieces of modern theatre, her CV also includes one of the most notorious: in 2011 she was the original director of Spider-Man: Turn Off the Dark, until she was replaced during the troubled pre-opening period that included 180 preview performances – the greatest number in Broadway history.Īfter lengthy litigation over the credit and recompense she should receive for her work on that musical, Taymor prefers – either for legal or psychological reasons – not to refer to it by name, although she notes that a male director might have endured less controversy. Taymor, 62, has recent experience of painful failure. The cast of The Lion King perform at the Tony awards in New York in 2008. ![]()
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